The Director of Music Department

There is another point that many film and television companies and artist brokerage companies pay special attention to, that is, the cost of creating a current traffic star and the cost of creating an uncle and male god like Zhang Mo are too great.

Don't think that the cost of creating a traffic star is very low. In fact, the cost is not low at all.

Because many traffic stars have one characteristic, that is, they really don’t have too much strength, such as acting skills. The sign of many traffic stars is youth, and you expect a young man to have the acting skills of a veteran cadre, which is too strong. .

Then at this time, a lot of exposure, a lot of public relations, and momentum are needed, and these resources are all money.

Another point is that there are too many traffic stars now, and it can even be said that mass production has begun, and they have become products on the assembly line, and the survival rate is not high, and the time they can continue to be popular is too short.

Maybe this traffic niche is very popular this year, but next year no one will remember him.

But Zhang Mo's type of "uncle and male god" is different. Zhang Mo became popular because of his works.

With works and acting skills in hand, they may not be as popular as those top traffic niches, but they are easier to go long-term.

As far as film and television companies are concerned, there are actually quite a few capable actors, and the key is that the price/performance ratio is too high, and they are easy to get along with. In terms of popularity, they are not necessarily low.

So, for a while, many brokerage companies began to aggressively launch their own "Uncle and Male God", and it turned out that this type of artist has indeed become popular.

In addition, in the past few years, traffic stars have received sky-high salaries, but it turns out that they have gradually begun to be unable to afford the box office, so they will naturally be abandoned by the market.

Zhang Li can be said to be elated now.

In the past, when Zhang Li mentioned his son and said that he was not up to date, he was really scolding.

But now, when Zhang Li mentioned his son Zhang Mo to others, he was still not good enough, but who didn't know, it was just pretending.

After Zhang Mo's "White Night Chasing the Murder" was broadcast, it can be said that all hardships have been rewarded. As the second generation of stars, although he has a higher starting point than many others, he is also restricted.

But now, people mentioned that he no longer said he was Zhang Li's son, but that he was the uncle and male god Zhang Mo.

On the other hand, Cheng Hu and Cheng Yulong's intestines were full of regrets.

Both Cheng Hu and Cheng Yulong looked down on web dramas earlier, so they knew there was a chance, but they chose to give up.

now what? Although the negative news that Cheng Yulong was exposed at the beginning has gradually eliminated its influence, Cheng Yulong is still Cheng Hu's son.

It was still the second-generation star who was disdainful.

What happened to the web drama? Now, although Zhang Mo can't be called a first-line actor, film contracts are coming in like snowflakes, and the film salary is not low at all.

On the other hand, Cheng Yulong, a movie star, so what?

If he wants to act in a movie, he can only rely on Cheng Hu, and who doesn't know how good a role that can be obtained by relying on relationships can be?

Compared with male artists, the development limitations and competition intensity of female artists are even worse.

Apart from the first big Huadans, the current Xiaohuadans change almost every year.

Also, it's easy to hit the ceiling.

For example, Yan Lingxuan, who was once promoted to a first-line actress by virtue of "Legend of Sword and Fairy" and "Drawing the Silk Opera".

After that, Yan Lingxuan was loved by thousands of people, with countless film appointments, but it's a pity, how can there be so many good films?

Yan Lingxuan's acting skills are actually not too brilliant, and she is pretty, the roles in "Legend of Sword and Fairy" and "The Silk Road Show" can be said to have brought her to the top.

But after the peak, there is a fall.

Yan Lingxuan has taken on several dramas in the past two years, and they are all medium-to-high-cost big productions.

It's a pity that the result was not so satisfactory. On the contrary, with the successive failures of the film, Yan Lingxuan, the former goddess, was also knocked down.

To put it bluntly, these days, TV dramas are actually better. In movies, female roles are really not as good as male characters.

In most commercial masterpieces, the heroine is often a kind of vase.

At least that's the case with Daliu.

Because most of the movies, except for romance films, are still dominated by male protagonists, and female protagonists are more auxiliary.

Yan Lingxuan is naturally ambitious. The group of female stars who have become popular since the end of the twentieth century can be called big female stars, and can be called the top domestic female stars. Gradually began to age, normally speaking, when these big stars get old, new actresses will be promoted to replace them.

But actually?

not at all!

The few Xiaohuadans hyped up by the media are indeed very popular, but most of the time, they can only be Xiaohuadans.

In fact, there is a reason for this. The replacement of male stars in Huaguo can be said to be very smooth, because for male actors, if a movie sells well, it will greatly increase their net worth.

But on the other hand, a movie, such as "I'm Not the God of Medicine", which created a record-breaking box office, has a weak sense of presence for the heroine.

Ge Jun, the leading actor, was promoted to the first line in one fell swoop because of "I'm Not the God of Medicine", and he even hopes to climb to a higher position, because everyone will admit that Ge Jun's acting skills, and, think, this movie can get such a high box office, He also has a great relationship with Ge Jun.

But as for the heroine, although she has been praised for her acting skills and strength, she has also improved to a certain extent, but that's all.

Generally speaking, this is still a patriarchal society, and movies, more often, show the same.

Otherwise, why, in every movie, the hero is usually in the front and the heroine is in the back?

And the reason why those big stars were born at the end of the 20th century is actually a lot to do with the film market. At that time, the film market in Huaguo was very small, and when the box office of a film exceeded 100 million, it was worth bragging about. Times are not mainstream.

On the contrary, in that era, literary and artistic films were the mainstream, and the number of international film kings and actresses born in those years was several times more than that of the past ten years combined.

In literary films, there are usually relatively high acting requirements for female characters, including appearance, body, etc., which will be highlighted in it, and in many cases, even surpassing male characters.

However, with the prosperity of Huaguo's film market, literary and artistic films gradually began to withdraw from the mainstream film circle, and began to focus on money, and win or lose at the box office.

As a result, the status of female stars began to decline, because most movies want to market and box office, so they must tend to the mainstream crowd, and this society is a patriarchal society, so female stars, actresses, in some big productions , and even in many cases, the status is not as good as some supporting actors.

Naturally, it will be very difficult to produce new top actresses like at that time.

It's not that people can't do it, but that the times are different.