I Am a Taoist Priest in Hollywood

Chapter 1151 The Rubik's Cube to Open the Space Channel

As a horror movie enthusiast, Chu Feng is naturally very interested in this classic screen horror combination.

Of course, now, he is more interested in the merit value that they carry.

Although Chu Feng doesn't know how much merit this horror F4 is worth, it shouldn't be too low.

But what Chu Feng really cares about is not them, but a so-called hell after them.

But in the whole series, this hell is not shown, but some people say that they come from hell.

Whether they really came from hell, Chu Feng has no way of knowing.

However, there is a special place behind them that is true.

What's more, there must be other ghosts in that place.

Where there are ghosts, there is merit.

Chu Feng now needs too much merit.

Therefore, Chu Feng immediately became interested when he knew that what he encountered this time was the horror film "Ghosts and Cannibals".

Chu Feng's eyes fell on the metal square and began to observe carefully.

Just now, it just looked at it briefly, and didn't see what material this metal block was made of.

Looking closely now, Chu Feng found that this material is not currently known.

"Meteorite?"

Chu Feng said to himself: "Either it is some special material.

For a while, he couldn't figure out what the material was, so Chu Feng didn't care about it for the time being, and turned to observe the lines on it.

After a while, Chu Feng said with a little surprise: "Space Avenue?"

The pattern on the metal square actually implies some spatial avenues.

Chu Feng was sure that he was not mistaken, after all, what he understood was the Great Way of Space.

Moreover, when he made the storage ring, he also secretly carved some lines representing the space avenue.

It's just that the current lines are not the same as the lines on the storage ring.

But even though they are different, the Avenue of Space is the Avenue of Space.

"It's a bit rough..." Chu Feng quickly regained his calm state of mind. After all, in the movie, this metal block is the key to another world.

Therefore, these lines now imply some spatial avenues, and it is not something incomprehensible.

"The level of people who make this thing is too limited, and the level of these lines is not high." Chu Feng commented: "Otherwise, these lines will not just appear on the surface, but will be hidden, waiting for the real power to show. It will only appear when it can.

"By the way, according to "Raising Ghosts and Cannibals 4", the person who made this thing seems to be a toy dealer, so it's no wonder.

Chu Feng shook his head and sighed: "What a waste of materials."

The material that can carry these spatial avenue lines is not an ordinary material. If he were to make this thing, it would be much more refined than it is now.

However, Chu Feng doesn't matter anymore, as long as it works, as long as he can summon that terrifying F4.

Although the level of these textures is not too high, some textures can be completely simplified, and there is no need to be so complicated.

But using the Avenue of Space as a key to connect the two worlds, this idea still gave Chu Feng some additional insights.

He stared at these lines for a while, wrote them all down, and then silently made a double calculation.

Suddenly, his fingers moved, and he actually drove his vitality like that, drawing complicated lines in the air.

At first glance, these lines are somewhat similar to the lines on the metal square, but if you look closely, you will find that these lines are simpler and more aesthetically pleasing than those on the metal square.

And as these lines became more and more, there was an inexplicable connection between the sky and the earth.

"open!"

Chu Feng made the last stroke, and with a light drink, those lines spun into a light spot and rushed into the void, disappearing.

After a while, where those light spots disappeared, the space automatically split open, and a deep and dark passage was revealed.

"It worked.

There was a hint of joy on Chu Feng's face.

After studying the metal square, Chu Feng found that the real key is not the metal itself, but the lines on it.

Those lines are the bridge that really connects the two worlds.

This metal block only has the characteristics of carrying the space avenue, so it was engraved on it.

At a critical time, the metal block rotates, inspiring the power of the lines, connecting the two worlds, and opening the channel.

That being the case, Chu Feng wanted to try it out. He simplified the pattern, and it was possible to open the channel without using a metal block.

As a result, after a try, it really succeeded.

Chu Feng took a step and walked to the deep passage, but did not venture in.

In the movie, shortly after Kristin entered, he encountered a pink monster that looked like a spider and a human.

Thanks to her running fast, she escaped.

Naturally, Chu Feng is not afraid of that monster, he is waiting for that terrifying F4.

Suddenly, in the passage, there are 4 groups of phantoms swept out from the inside at a high speed.

These four phantoms are in an illusory state, and ordinary people can't see them at all.

But in front of Chu Feng, this is naturally not a problem.

Not only did he see the four phantoms, he also saw what the phantoms looked like.

It's none other than the terrifying F4 group in "Ghosts and Cannibals".

No wonder, in the movie, these four guys always appeared suddenly, they ran out of the tunnel in an illusory state, and then they showed their bodies, achieving the effect of appearing without warning.

Chu Feng (let Wang Hao) played with the metal cube in his hand, turned around, and looked at the four phantoms.

Of these four phantoms, one head is full of nails, like a hedgehog's head.

A fat-headed, extremely ugly, shy belly has a long vertical wound, as if it had been ripped open.

One has a hole in the throat, and a special wire is used to connect the throat to the sides of the cheeks.

A body without skin, only the surging flesh and blood exposed outside.

There is no mouth yet, and the two rows of teeth are directly exposed, giving people the feeling that they will be bitten by it at any time.

It's exactly the same as the one in the movie.

It's just that, as seen in the movie, there is a layer of screen in the end, and the terrifying effect is cut layer by layer.

Now, it is actually appearing, and the shocking force is completely different.

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