Unemployed at the Beginning, I Let the Singer Come Back

  Chapter 114 Dandelion Girl

  Sister Chen rolled her eyes.

   Li Qingning apologized to Liu Tao again and asked him to continue talking.

  Liu Tao was stunned for a while, feeling as if he had been in another world. He felt that the "husband" had pulled the fairy from the mountains to the world, making people feel infinitely jealous and envious of that person.

  He stabilized his mind and felt that what he said was almost the same, so it was up to Li Qingning's decision.

  Li Qingning felt that the operation was unnecessary, "My husband—"

  Li Qingning smiled, "He is a bit lazy, he is a very casual person, and he is not very used to staying in the spotlight, so in terms of operation, it is impossible to cooperate, and there is—"

  Li Qingning wasn't sure that Jiang Yang's next book would be a mystery novel, and he wasn't even sure that he would stop writing.

  She felt that those behind Liu Tao were unnecessary.

  However, she is quite interested in Liu Tao's planning experience in the publishing of mystery novels, especially in promoting domestic works abroad. She hopes that Liu Tao can provide a complete, detailed planning, and executable planning case.

"certainly."

   Liu Tao knew that these should have been prepared, but he was in a hurry today and couldn't take care of them.

   At this moment, Li Qingning saw Jiang Yang walking over.

Li Qingning introduced to them that Liu Tao finally met the author of the novel that amazed him. He was younger than he expected, and he was handsomer than he expected. It's human.

  After sitting down, Li Qingning asked Jiang Yang what to eat, "The mutton boiled as promised, uncle played you again?"

   "No, the kebabs are almost ready."

  Jiang Yang couldn't eat meat now, so he ordered a vegetarian dish to fill up the rest of his stomach.

  During the period, Liu Tao couldn't help expressing his love and admiration for his "Murder on the Orient Express". Jiang Yang smiled modestly and said thank you. After Jiang Yang finished his lunch, they left. Li Qingning took Jiang Yang's arm and sent Sister Chen and Liu Tao to the parking lot.

  Sister Chen and Liu Tao got into the car.

  Sister Chen asked Liu Tao, "How is it?"

  Liu Tao said: "As you said, he is quite an interesting person."

  He can see that Jiang Yang is not very good at being polite to strangers, and when he goes out to eat with friends, he will never push or pull when paying the bill, because if he grabs a friend, he will definitely let his friend succeed.

  Jiang Yang likes to sit there quietly and listen to what others say. He is polite. When his eyes cannot be avoided, he will smile sincerely and continue to work on himself. But it doesn't mean that an introvert can't talk. When he has a problem, he will still talk. For some people, they feel that this kind of person is not smooth enough, can't talk about scenes, and it's not a problem. But Liu Tao likes to deal with such people very much, because he does what he says, and it is very worry-free to deal with.

  Sister Chen asked about this couple.

   Liu Tao glanced back, Jiang Yang and Li Qingning had already returned.

  The floor tiles in the community are long strips. The two of them held hands and tried to step on only one piece of each footprint.

   "Two interesting people."

Liu Tao went back to sleep for a long time. If he wanted to write a good plan, he still had to stay awake. He slept until night, woke up and had a meal, did some exercise with his wife and continued to sleep. When he woke up in the morning , he was refreshed, the clouds were light and the wind was light, and the sky was clear. He stretched his waist, drank a large cup of strong coffee, adjusted his state, spent a day writing a plan, and then let it go for a day. , made a supplement on the third day, and asked the assistant to check whether there were typos and other errors, and then sent it to Sister Chen.

  Liu Tao does have foreign resources.

  He has dug out many foreign speculative novelists, and translated them to China when they first emerged. This is how independent publishers survive. I also got to know some foreign editors and authors.

  Sister Chen quickly gave the news, and Sister Chen was in charge of contacting. After some discussions on the details, Liu Tao finally got the publishing rights of this novel.

   It has been three days since I came and went.

  During these three days.

The post-production of the upright promotional video has been completed, and Zhou Hao's shooting plan has reached the final scene: in the sunset, the heroine saw the unique bouquet of flowers in front of the brand-new shop of Floating Years, she suddenly woke up, looking back suddenly, that person crowded place...

  The heroine's eyes were red in an instant, and she couldn't laugh or cry, but silently held up the bouquet of flowers.

  Give it to fleeting years, give it to love.

   "Finished!"

   Zhou Hao shouted loudly, and everyone cheered.

  The actress couldn't hold back for a while, she wiped her eyes, took the flowers handed by Han Xiaoxiao, and said thank you. This is a very touching short film. The actress was very moved when she read the script, and she was deeply immersed in it when she was acting.

   Sometimes the script and the actors are mutually accomplished.

  The script is good, and the actors can enter the state naturally and naturally. If the lines are awkward to read, the plot is bloody, and the actors get goosebumps when they act, the acting skills will naturally not be too good.

  The actress never thought that such an excellent script would come across a commercial short film, and she felt that Jiang Yang, who wrote the script, would definitely be the same in the future. But what she didn't expect was that Jiang Yang couldn't be worse now, the husband of the Great Demon King, how could he be worse.

  The actress brought flowers to Jiang Yang and Zhou Hao who were talking, "Director, director, you have worked hard during this time."

  Jiang Yang stepped aside consciously.

   Zhou Hao is working hard, so let him forget it, that is to say, today is over, and he will come to the set to have a beginning and an end.

   Zhou Hao exchanged pleasantries with her, and after agreeing to cooperate again in the future, the actress left.

  Su Mei, as Party A, is also here today.

  She handed Jiang Yang a bouquet of flowers, which were newly inserted, similar to the bouquet used in the advertisement.

The only difference is that the bouquet in the advertisement uses dandelion PLUS, a flower tree similar to dandelions; and this bouquet uses real dandelions, which are collected from many parties by the company before being picked from a flower garden, and after the company's flower art designer.

  Su Mei said: "This is unique."

  Flowers hardly use this kind of dandelion, because dandelion will disperse as soon as it is blown, Jiangyang's bunch is a special case.

   Jiang Yang thank you.

  Su Mei said that she should thank Jiang Yang.

Their company attaches great importance to this promotion and cooperation. This bouquet of flowers was carefully designed by the company's elite, and it looks very good now. I believe that once the short film is broadcast, it will usher in a lot of sales. The inspiration for this flower comes from Jiang Yang In the script, rabbits, deer and gnats.

  The bouquet of flowers is also named "Rabbit, Deer and You".

  Su Mei then thanked Zhou Hao.

   Zhou Hao shook hands with her, "Come on."

  After Su Mei left, Zhou Hao let out a long sigh and asked Jiang Yang, "Should I try my best in the end?"

   As he said this, he stared at the bouquet in Jiang Yang's hand.

  Jiang Yang told him not to even think about it, he gave it to Sister Ning.

  This is not only a unique bouquet, but also a unique meaning, which he wants to give to a unique dandelion girl.

"Rabbit, deer and you", in the script, Jiang Yang wrote that the male protagonist hopped like a rabbit when he saw the female protagonist as a child, and looked like a frightened deer in college, which means that the male protagonist takes this bouquet of flowers and travels through the future When I was a child, I was in college and then I came back home.

   This is Jiang Yang's transformation.

  The source of this sentence is in the short story "Dandelion Girl".

  (end of this chapter)