The God has moved to another world.

of abandoned land, the settlement of Agney and the others.

In the square in the middle of it, a small golem was moving around.

It is the Mad Eye, the end of the Mad Eye Network created by Tuhiko.

Ordinary Mad Eyes make it as easy as having hands and feet on the body of a sphere, but the Mad Eyes moving around in the square now were slightly different.

Some were quadrupedal bi-armed monster styles, some were wild fat torso and hand and foot superrobotic styles, and some were thin hips and large back wepon real robotic styles.

Those Mad Eyes are all things that Agney and the others have changed their appearance.

The Mad Eyes, who were altered in appearance, were attacking each other as they moved around.

Sometimes he punches out, sometimes he punches out pebbles.

A short distance away from those Mad Eyes, Agney and the others had skipped the instructions with a serious face.

"Go, Kong Man! Punch!

"Tackleboy! Show him your proud tackle -!

"Sniping! Take a sniper!

Mad Eyes are running around the square as they respond to incandescent instructions.

It looks kind of like a near-future child's play, but this was a clean military training.

In creating the Mad Eye Network, Sathiko was hitting a big wall.

It's combat data and lack of experience.

Now there are no enemies in the land that has been abandoned.

There were no dangerous organisms, intelligent life forms, hostile states or hostile groups in the vicinity either.

In other words, they have no enemies.

That doesn't mean it will continue to be so.

Ning Lo, you should think of danger as something.

If so, the Mad Eye Network golem needs to be strong at all times.

We must be able to deal with any enemy.

It requires a wealth of data and combat experience.

But there was no such thing as an enemy around the land that was reviewed, as I said earlier.

There's no way you can fight or anything, even though you don't have someone to fight with.

Tuhiko had no choice but to gain combat experience by letting the golems fight each other.

I was achieving some results at first, but soon I get stuck.

A golem is a robot made of magic.

If you're just letting the robots you make fight each other with your own conceived tactics with your own conceived action program, the pattern will be determined to some extent.

A battlefield is a creature, and you just don't know what's going to happen.

Literally, this is where unforeseen things happen.

I train to prepare for it, but it doesn't make sense to fight the knowing self in my hand at all times.

That could be said about the golem alone.

The golem is powered by a program.

If you have a different program to put on the same golem, you will see a completely different movement.

The Mad Eye Network golems were all programmed by Tuhiko.

Although we make it possible to further complicate our actions by gaining experience, it makes no sense if our opponents are also moving in programs made by Tuhiko.

Deciding to act is really an act of habit.

Avoid or take the opponent's attack?

How do you attack?

Because it is all a golem made by Tuhiko, there is no denying how much difference it seems to make.

Is there a third party somewhere that would be enemies?

Or is there anything you can think of for me to do differently?

Sathiko, who was distressed, realized that he had forgotten his familiar existence.

Yes, the Agnies.

They also had the task of spinning the Mad Eye and thinking about the shape of the Golem.

If so, why don't you also think about how to fight?

You won't be able to program Agney and the others, but you should be able to give them instructions.

If you set it to work according to their words, Agney and the others should just give instructions like "nagging" or "keg" on the side.

Motion and the like, if they can be shown in advance with gestures, samples, etc., could be behavior that Earthhiko didn't even think of.

Agney herself motions the shaped golem, Agney herself manipulates and thinks tactics.

Wouldn't this be a good idea?

For a moment, the idea that it wasn't dangerous to be near the battle also shook Tohiko's head.

But come up with a solution soon.

Nothing needs to be fought with a big golem, a "Mad Golem" or a human-sized "Mad Man".

A small "Mad Eye" is enough.

That would allow them to fight with a sense of play, even in the squares and houses of the settlement.

Mad Eyes are already in large quantities, so we can move them to execution as soon as we have a somewhat awkward program.

To make this idea a reality, Tuhiko quickly set out to prepare.

Create a program that responds to the voices of the Agnies or mimics their movements, designed to work as directed.

Based on those data, the time taken to assemble the program to modify itself was approximately three days.

Naturally, it is an impossible time for a normal human being.

Sohiko, who created the program, decided to quickly explain Madeye to Agney and the others.

Even so, I do not intend to explain the content of the program or the experiment.

Because I explained to Agney and the others that they would not understand 90% of the time.

In a content sense or a number of people who understand.

It may seem like a terrible perception, but it is arguably the right understanding when it comes to Agney.

Muzukashi thing is chimp kamp.

That is the Agney tribe.

In fact, the explanation by Tuhiko to the Agney tribe was truly simple.

"Gentlemen, do you mind? Starting today, Mad Eye has a new feature. How dare I imitate you, or work as I say! You can make a Mad Eye that you make and decide how to fight, and you can make it fight what others make, right? Please give it a try."

It is a way of saying it through elementary school and explaining it to kindergartners, etc.

But apparently it was just the right description for Agney and the others.

"" "Yes!

Agney and the others gathered in the square reply well.

They were all strangely picturesque, just because the visuals were like human children.

Quickly on the spot, the workshop was to be held.

The way Agney and the others twirl their mad-eyed eyes in adoration is like drawing time.

The appearance of delightful craftsmanship is cheerful, but the contents were slight.

Originally Agney is a crafty creature.

It was the finely crafted tricks of this cat that seemed like children, but what you can do is incredible.

"So - here we go! Dear Tohiko! I'm sorry!

The first person to complete Mad Eye was the village chief.

The mayor of the village, who usually wears mad-eyes, madmans, and madtrolls, was better at this task than any other Agney.

I wonder if that skill, which still comes in different designs every time, is just something like the Agney Eldest?

Tuhiko decided to see the prosperity as soon as possible, nicoting.

"How did you finish this time?

"This is it. Bye!

Sathiko erupted in abundance when he saw the Mad Eye protruding as the elder put it on his hand.

Had there been a red sheath and an unbalance on this occasion, this would have been the case.

"Don't bother!

"It's Robo."

That's right.

The Mad Eye made by the elders had a robotic visual on Moro.

There are four main trends in the Mad Eyes that Agney and the others make.

Like an elder, a robot, that's also the "real robot" type of thing in modern Japanese subculture.

The other is the so-called "super robot" type of thing, which Marks and the youngsters make mainly, even the same robot smelled like Showa.

And something of the "Creature Monster" type with a vivid visual around the gins and women.

The last four are span-only proprietary routes of the "beautiful girl" type,.

Agney and the others, who live in different worlds, "Sea Plains and Middle Plains," but the idea of a creature similar to a person seems to be similar everywhere.

Since Tuhiko was also born in "Kaihara and Nakahara", he should not have had the opportunity to touch the subculture of the earth, but is he lucky or what?

I was watching the Japanese cartoon that Amvalence brought in to see it as a red sheath, so I have that knowledge with me.

"No, that's the elder. Always great!

Tuhiko praised the elder as he pressed his belly and grinned desperately.

In fact, for the Mad Eye Network golem, the Elder's design can be said to actually make sense.

The golem, whose bulk is made of mud, becomes sturdy and powerful with its thickness intact.

The fatter the armor, the stiffer it will be and the heavier it will be instead.

Thinner, weaker, but lighter for that matter, easier to move.

The thicker the joint, the stronger it becomes.

However, the range of operation is narrowed and the movement is slower.

On the contrary, when the joint is narrowed, the range of motion is wider and moves faster, although the force is lost.

Thin joints to gain mobility even when the force is weakened, for example where it is attacked.

The designs the elders make are packed with such advantages.

"It's an honor to compliment you. Bye! After all, times are skinny armor!

There can be no such thing as knowledge of Japanese subculture in Agney and the others.

In their perception, all robo-inspired designs are "knights in armor".

"Now every knight is magically fortified! Sharp, sophisticated beauty is functional."

"Seriously!

A voice sounded from the rear blocking the words of the elder speaking with a proud face.

The Lord of Voices is Mark with his own Mad Eye on top of his hand.

"It's out of the question to have such Namachoroy armor! Zoodoon and Buckoo Gakeen and all! Power is power!

The Mad Eye on Mark's hand, which speaks fervently, is indeed the design of the word.

The joints, torso, feet and neck are thick, with a power and defense-oriented, one-sided style.

There is no decoration, the overall curved design, and the surface looks somewhat rough.

But the overwhelming presence that sprinkled from the whole made its body feel the power that was hidden in it.

It was an elderly group centered on elders who hung their brow butts in Mark's words.

"What?! What's wrong with imitating the latest cool armor! Actual performance is expensive! Quickly, then you have power!

"Well, well, well!

"Cool!"

"Young man, thanks for all the old stuff!

It is the agnies of the young group who colour the words of such an old man.

I don't know that I usually work out at hard work, but I shake my cute skinny arms and get angry.

Whether you're working out or working out, it's the Agney tribe that has always had a puffy body shape.

"What are you talking about! I guess it's romantic to bounce back every attack with a soggy mountainous body and twist it down with overwhelming force!

"Cool!!

"That and Ri!

"I can't believe I caught that naughty armor!

Old people and young people who mix.

In that situation of one-touch immediacy, something emerged that would complete another Mad Eye.

"All right, I got it."

Thus wiped the sweat on his forehead was Ginn, an awesome arm hunter.

Only one of them kept wearing camouflage trousers and tank tops all the time while everyone was wearing all sorts of costumes.

What he did so was his upper body was as powerful as a gorilla and his lower body was designed like a different human horse with four wild legs.

The group of old people and young people who saw it are surprised to open their mouths gently.

That should be it, too.

Anyway, it was made by Gin, which was twice the size of a normal Mad Eye.

Ginn began explaining as calm as usual, whether he had noticed such a surprise or not.

"This is actually the top and bottom one, it's a different Mad Eye. It's four legs down there, and it's like a monkey up there."

Gin's signal divides Golem's body into two parts.

As the saying goes, the upper body part of the human horse was just one mad-eye.

It had short legs and cleverly a four-legged mad-eye.

Four-legged mud eyes are also machined with protrusions, dents, and the like for easy grasping.

This structure is as if it were an artifact, but in fact, there are very different creatures living in the "Sea Plains and Nakahara" that are similar to each other.

Ginn remembered this structure because of his knowledge of various organisms as a hunter.

The elder remorsed with teeth for the pivotal idea.

"Yee-haw! I'm not flattered at all! Most of the time! The hole in the chest of the four legs and the monkey!

As the elder pointed out, there were holes in the chest of the monkey and in the area that touched his four-legged face.

Seeing where they're properly edged around doesn't seem like they're just decorations.

Ginn continues to explain, "Oh, this is it."

"I thought about when I made it big, and I put a hole in it to fly the balls I made out of baked goods. The monkey over here, give him the big, powerful one. Do you imagine a four-legged guy as a little guy?

"Mm, special attack cannon on my chest... bye..."

"Stupid... I didn't know you had that hand!

The elders and Mark knelt on the ground disappointed.

I didn't know you forgot such cool gear.

And I didn't expect to be crossed by a catfish gin, according to a stopover.

An incalculable shock is causing distress to both of us.

Gin tilting his little neck to see how it goes.

Behind him was a kerchief who somehow put his arms together and proudly distracted his chest.

I don't know what it is, but they just found out that everyone thinks Gin is amazing.

For Karichi, Gin is a proud partner.

"Damn! When this happens, it's a battle with performance! Dear Tuhiko, look! Definitely winning in battle is Zudon and wild hard armor!

Mark who can manage to get back on his feet and yell.

As I echoed those words, the young Agnies put up their own Mad Eyes and said, "Ooh!" and raise her voice.

Of course, even the old man hasn't lost.

"What! The first Mad Troll hired me to teach you plenty of that strength!

The elders also stuck out the losing and the Mad Eye they put on their hands.

Other elderly people also lift real-robot-style mud eyes to make them feel better.

Thus began the battle in the square at the beginning.

Various ways of fighting, behaviors are rolled out and they accumulate in the Mad Eye Network in real time.

Much more movements and ways of fighting were recorded than those contemplated by one Tuhiko.

Nevertheless, the contents themselves are awkward objects because they are Agney tribes who hate battle.

Still, when the numbers are aligned, it can be good data.

In fact, although in small quantities, it did also take useful data.

As a result of great satisfaction, Tuhiko watches Agney and the others as he grins more than usual.

It's like, you know, a kid who got a toy.

Seeing Agney and the others, Tuhiko thought so.

In fact, some of the Japanese subcultures talk about children playing with small robots.

It should be a game or an animation, but if the real thing was made, this is what it would look like, Tuhiko thought.

The limit is set in advance for the Mad Eye I am using this time.

Even enemies don't destroy them completely.

Even if it is somewhat missing, the Mad Eye is a golem made of mud.

It can be repaired immediately.

For this reason, even Agney and the others who don't like the battle can have fun training the Mad Eyes without paying much attention.

Every Mad Eye had a way of fighting that made good use of the features of the fuselage.

The one who earns the most from shooting down is the young man who can't stop thinking about tackles, Hulia's driving "tackle boy".

A tackle that makes use of large shoulder parts and shoulder covers, bouncing off his opponent.

The next point was Gin's "Destroyer Ain" made.

It is more like a pair of golem monkeys that Gin had earlier.

By riding on a highly mobile four-legged, he was covering his own slowness while defeating his enemies with overwhelming power.

It is the first and second places that are taken away, but the third to tenth places below that are exclusively occupied by the elderly Mad Eye.

After all, the stability of the formal recruitment type does not seem to be Dada.

As the training proceeded smoothly, a certain Agney turned to the woods suspiciously.

The other Agnies face each other in the same direction.

Suspicious Tuhiko made Mad Eye Network make an enemy of what was there.

But what catches me is the sound of Mad Eye and the bucks in Agney's voice.

Indeed, a stag is a large individual with splendid horns, but it won't be enough to care.

It was Earthhiko who thought so, but it happened the moment the bull that Mad Eye was capturing lowered his head and made his aggressive move toward Agney settlement.

"Well, enemy assault!

"" "Wow!!

Together with the elders, Agney and the others fled at once.

The direction of escape is still the opposite of that of a deer.

Apparently, he reacted to the hostility of a deer in a fairly remote position.

Sohiko looks behind Agney and the others, who quickly disappeared into the woods with a clear face.

"... after all, Agney and the others are Agney"

When he shrugged, he laughed with a slightly troubled look on his face.

Where Agney and the others are fleeing the fear of deer.

The red sheath was in fear of the spirits.

Because the lake, where the spirits live, was being upgraded more and more.

From the lake, columns of light, flames, water and wind rose, and islands of considerable size floated above.

Yes, it's an island.

Something big is already floating around.

The rock was still floating, but apparently it bumped into each other and grew larger.

There was a place on the island that reflected light, by the way.

They are very large gemstone-like crystals, as you will see when you approach them.

He says it is a demonic stone containing attributes, born as a result of the accumulation of the power of the Spirit.

It seems very rare that the Demon Stone includes attributes, and that one, yeah. Tens of thousands, the red sheath was explained to Eltovael.

Such a magic stone is attached to a straw on an island that floats in the universe.

I wonder how many of them come with it.

If I sell all of them, I wonder if I can pay back the Japanese government bonds.

Just thinking about it gave me a clear stomach ache that shouldn't have a red sheath.

What, is there a floating island in my land that looks like it came out in a fantasy giant edition of such a bearded animated filmmaker?

Even though I'm just a Zako god.

Even in the lake below, there are a lot of spirits and stuff and the feeling of being out of place is not a hammer.

Originally gathered for the spirits of the trees that surround the red sheath, they are no better than the red sheath as one.

If this was the Earth, it would be like Chile flying if the red sheath were blown in a divine sense compared to the spirits gathered in the lake.

Most importantly, because this is a different world, "Kaihara and Nakahara," no matter how amazing the spirits they were called the Great Spirit, the red sheath, which is God, is more superior.

"Nguuuuuuu"

The red sheath rolled over the ground, and it was all over the place.

Mental damage as it is, is likely to cause fatal damage to the mind.

God who suffers with depressing things. Seriously, I don't get stylish.

When Red Sheath scolded herself, she managed to get up.

Ertvael is currently on sentry around 10,000 metres above, so the only person on this scene is the red sheath.

Because the basic red sheath is a negative thought, it sinks more and more when you're alone, if you can't force it to be positive.

"Yes, yes. Not if you're just freaking out, right? I'm a land god, too. We need to hang in there."

Here comes the question on the head of the red sheath.

The red sheath is the god of the earth.

It is my job to manage the flow of power in the land.

This "land" does not refer only to the fact that nothing is possible.

Rivers and mountains affect most of the land.

Even plants and animals are, of course, no exception.

But now there are two places in this land that the red sheath does not directly control.

One is the lake, the dwelling place of the spirits now before us.

Where spiritual elements, such as spirits, and strong things are moving around, are terribly difficult to manage.

Because the spirits themselves that are moving around affect the flow of power.

It is rather troublesome for the red sheath, which manages the type that moves a little bit and eventually tries to get it in order.

So I was going to let the spirits manage the whole lake area.

I thought it would be more convenient for the spirits to get a place to live.

The other was the nest of enchanted dragons being made by Tuhiko.

This one is for a simpler reason, because Tuhiko is modifying it with tremendous momentum, he can't keep up with the adjustment of the red sheath and temporarily leaves it alone.

Because it doesn't make much sense to adjust during work, and construction should be finished soon anyway.

That the red sheath questioned.

It was what was going on inside those two.

The red sheath could sense most of it through the flow of power if it happened in its own land.

Conversely, a place with a flow of power that you are not interfering with cannot be perceived.

We have no idea what's going on in the lake or in the nest of the Enchanted Dragon.

It was a very disgusting thing for Red Sheath, the biological land god, to have something in his land that he did not know well about.

"If you go, can I give you a tour -"

A blushing red sheath.

Wouldn't it be a pretty good idea while I'm talking about myself?

That's what the red sheath thought.

I thought it might be a good idea to look around a lot for a walk.

But it is an auspicious day.

As the red sheath pulled through the body that was stabbing him on the ground, he slipped it to his waist.

Come to think of it, what a fantastic thing to call a spiritual lake or a dragon's nest.

I might see something fun.

To such a hunch, the red sheath softened his expression.

The red sheath did not even imagine at this time that this tour would cause great damage to one's mind.