The Director of Music Department

In fact, for theaters, the Spring Festival stalls are also very important.

At this time, filming is very important.

They also have to predict and investigate the box office potential of each movie.

These predictions and investigations are not limited to the movie itself, but also the promotional strength, influence, and so on.

Some movies that are already very popular do not need any screenings, but movies full of uncertainties like "On the Journey" are still very necessary.

The reason why it is said to be full of uncertainty is that on the one hand, the cast of "People on the Journey" is not big. Although the director Fu Rong is not a newcomer, he is also not a big-name director.

Secondly, in terms of the cast, the two male protagonists of "People on the Journey", except one of them, Xu Shang, is considered a capable actor, and the other is a rookie actor, and was not even mentioned in the publicity.

Therefore, from this aspect, "People on Journey" does not have much potential at all, especially in the fiercely competitive Spring Festival.

After all, whether it is "Origin", "Glory of the Tang Dynasty", or "Jin Yi", it can be said that it is a gathering of big names.

In contrast, "People on the Journey" is really not enough to watch.

But the reason why this movie is full of uncertainties is because the name of the person, the shadow of the tree, and Wang Yifan's name as the gold-pointing master are not just for bragging.

And it just so happens that "People on the Journey" is the first of the "囧" series among the three series created by Wang Yifan for Times Light and Shadow.

Therefore, it is hard to say that this movie has no dark horse potential.

After all, comedy movies are really good at small things, and Wang Yifan's script creativity itself is also a reliable guarantee.

In addition, they had to show some face to come and join in the invitation of Times Light and Shadow this time.

Especially seeing the arrival of Wang Yifan and Dai Xinyue, the representatives of the cinema chain present all became more interested in this movie.

After all, if Wang Yifan was not particularly optimistic about this movie, he was filming abroad, so why would he come back after traveling all the way?

Obviously, the purpose is to promote the drama "People on the Journey".

"Director Wang, thank you, thank you for coming!" Fu Rong shook Wang Yifan's hand excitedly.

For Fu Rong, Wang Yifan's personal arrival can be said to be the greatest support.

After all, the entire crew of "On the Journey" couldn't hold up to Wang Yifan's arrival.

This is true for propaganda, and it is also true for other aspects.

The representatives of the theater chains actually didn't care much about Fu Rong at all, but Wang Yifan and the others had to.

Moreover, there is also a hint in the heart, that is, the movie that Wang Yifan attaches great importance to, can it be bad?

Naturally, it will make them look at "People on Journey" in a better way.

In other words, it is a preconceived impression!

Naturally, the movie watching meeting will not be a show like a premiere ceremony.

After all, everyone's time is precious.

The lights in the auditorium were turned off and the light dimmed.

On the subtitles of the movie, the time display is 2.05, and there are still two days before the Spring Festival.

Li Chenggong was the first to appear on the stage. Li Chenggong's actor, Xu Shang, has a different style from Xu Guangtou in his previous life. In fact, Li Chenggong's role is not so demanding.

As a powerful actor, Li Chenggong, played by Xu Shang, gave Wang Yifan a special and novel feeling. After all, in Wang Yifan's case, the preconceived idea is based on Xu Guangtou as the standard.

As the boss of a toy company, he sits in a fancy restaurant eating, and at the same time, very harshly criticizes his three employees sitting across from him.

"Your IQ is really refreshing."

"Xiao Zhang, you have made great progress this year. Last year you were mentally handicapped, but this year you have been promoted to stupid."

"Resigning is the most correct thing you have done this year."

In less than a minute, Li Chenggong criticized his three employees, portraying a rich but bitter boss image.

Representatives of many theater chains in the theater couldn't help but smile a little.

Li Chenggong's image seemed to stand up. This is a rich but extremely vitriolic little boss.

In the following plot, it can be said that the role of Li Chenggong is completely placed on the opposite side of the audience, or it is extremely disgusting.

Because he has the shortcomings that many bosses have. For example, he still has a mistress and plans to go back and divorce his wife.

Immediately, the role of Li Chenggong became clear.

It makes people feel that this should be a villain, no, this is the villain.

In fact, this is also a way of paving the way for a cool article, because the next plot of "People on the Journey" is very clear, that is, let this unpleasant guy have a bad luck all the way.

The audience will involuntarily feel refreshed and feel that he deserves it.

In other words, if Li Chenggong's personality is a perfect boss, then everything that happens after that will become less interesting.

It doesn't make the audience feel so cool!

It can be seen that everything that Li Chenggong experienced next is a kind of punishment for him!

For now, Wang Yifan feels that the film is quite satisfactory.

At least the introduction of Li Chenggong's background character design is quite good.

This made Wang Yifan look forward to the role of the other leading actor, Niu Geng.

The camera changed quickly, and Niu Geng appeared.

Wang Yifan didn't know where Fu Rong got the actor who played the role of Niu Geng. How should I put it, the style of this Niu Geng was not very similar to the style of Wang Baobao in Wang Yifan's impression of the previous life.

On the contrary, this actor gave Wang Yifan the feeling that he was more like Huang Bo in his previous life.

The same looks more grounded.

The next step is naturally to give a profile of the background and personality of the male protagonist Niu Geng.

Niu Geng is honest and straightforward, because he is a migrant worker from the countryside, and he speaks an authentic local dialect.

He was worrying about the train ticket to go home during the Spring Festival, and the boss hadn't settled his wages yet.

The reason given by the boss is that I have no money, but someone else owes me money. If you want a salary, you can ask for it yourself with the IOU.

In order to get money to go home for the New Year, Niu Geng decided to fly to Shashi to ask for money.

Thus, the two male protagonists of the film formally met at the airport.

As a representative of the theater chain, Li Ming has read countless films, and he can basically guess it after seeing this.

That's the point of the story.

One is a rich boss, which is actually somewhat similar to a foreman who exploits and oppresses Niu Geng.

One is an out-and-out migrant worker, honest and honest, but admits death.

It can be said that it is difficult for such two people of different classes to have any intersection at ordinary times. What kind of things will happen when they meet at this time?

Li Ming couldn't help but feel a little hopeful.

Because it's fun isn't it?

Moreover, although today, the problem of migrant workers asking for wages is not as serious as it was in the early years.

But it’s not that it doesn’t exist. Moreover, situations like Niugeng can be said to be everywhere in the early years, and they are very down-to-earth.

There is also the topic of Spring Festival travel, it can be said that no matter what time it is, it is the same!