Super Dimensional Wizard

It is an extremely difficult task to completely copy such fine and dense textures. 8) In terms of normal proportions, "Prelude to Death" can only be depicted on small and medium-sized alchemical items.

If you want to depict a tiny alchemical item like the "Golden Arrow", you need to scale down the magic energy array. The "Prelude to Death" at normal scale is already a ball of darkness, and if you shrink it again, it will become even darker. It can no longer be distinguished by the naked eye. Even if you use a pen tip as thin as a hair, it may be too thick.

However, proportional reduction was already very late. Before that, he had to at least successfully depict the lines of the "Prelude to Destruction".

Angel did not start to draw it immediately, but took out "Encyclopedia of Enchanting - Advanced Chapter" and continued to flip through it.

The pattern of "Death Prelude" is very complex, but its function is very simple: once this magic energy array is activated, a very low sound frequency can be released to unbalance the already chaotic energy within the undead, thereby achieving the purpose of destroying the undead.

According to Angel's understanding, this is an infrasonic attack. Sound waves with frequencies lower than 2ohz are infrasound waves, which are sound waves with extremely long wavelengths that are not easy to die out in ordinary media.

Angel speculated that the extremely low audio frequency released by the "Death Overture" must have resonated with some kind of energy within the undead, causing an energy imbalance and causing the undead to collapse.

Of course, this was Angel's speculation. He didn't have a sound wave spectrum tester, so he could only use logic to analyze it.

Angel finished reading the chapter "Prelude to Death" and continued to read it without stopping. He wanted to see if there were any other enchantments for killing the undead besides "Prelude to Death". It would be best if the pattern was simpler than "Prelude to Death".

It took Angel half a day to scan through the "Enchanting Encyclopedia - Advanced Chapter". There were nearly 10,000 magic array enchantment patterns. After reading it, Angel felt dizzy and his eyes were completely dark. one slice.

Almost all the patterns are similar in difficulty to "Prelude to Death". Only if you look carefully can you see the difference in texture. From a distance, they are all pitch black. In the "Advanced Chapter", Angel also discovered 13 kinds of magic array enchantments to deal with the undead. Some of these magic arrays are not specifically targeting the undead.

For example, a magic energy array called "Missa" was originally designed to purify the dirt and drive away darkness, but it can also be used to purify the internal filth of the dead so that their souls can be sublimated.

The "Missa Seal" has outstanding effects and a wide range of applications. Correspondingly, the number of magic patterns that make up it is also astonishing, as many as 36, and each magic pattern is extremely complicated. Moreover, it is recorded in the book that the "Missa Seal" is basically engraved on large alchemical items, and the materials that can match the "Mass Seal" are also extremely valuable. Once successfully produced, they can be used as strategic props.

With Angel's current ability, let alone whether he can draw it, the cost of the materials alone is beyond his reach. It is estimated to be equivalent to the hundred-year income of a small wizard organization. But you may not be able to buy them if you scrape them together. Some of these materials are close to extinction in the wizarding world and the pan-wizarding world. In the end, even if he bought it, if he wanted to smelt these materials, Angel would not be able to do it at his level. Maybe he can give it a try when he reaches the level of an official wizard.

To sum it up in two words: No chance!

Most of the other magic energy formations that eliminate the undead are just like the "Mission of the Mass", which are either useless or more complicated than the "Death Prologue".

Therefore, in the end Angel could only return to the "Death Prologue".

Before that, Angel hesitated and clicked on the next folder - "Encyclopedia of Enchantments - Perfect Chapter".

This folder was only opened by him when he was sorting out documents and pictures, and then never touched again. Angel has not read the contents inside.

After opening the folder, densely packed pictures appeared in front of me.

Angel took a quick glance at about 2,000 pictures. If a magic energy array occupies two pictures, one is the pattern and the other is the explanation, then there are approximately 1,000 magic energy arrays recorded in this folder.

Compared with the previous introductory chapter, basic chapter, and advanced chapter, the perfect chapter obviously records a lot less things.

But the difficulty... Angel opened a picture.

After just a cursory glance, I was so scared that I closed my eyes.

What did he see? ——Dense lines.

Angel was used to simple patterns before, but the reason why this pattern made him close his eyes in fear was purely because... this was not simple!

Are you sure this is a magic energy array? Rather than solid geometry? !

This magic energy array doesn't look difficult. There are only 16 magic patterns, and the arrangement is not too dense. You can still see the blank parts with the naked eye. But...these 16 magic patterns are not all on the same plane. Several magic patterns actually have three-dimensional intersections, three-dimensional overlaps, and mirror images.

It’s true that the alchemy tools are three-dimensional, but how do you describe the magic energy array becoming three-dimensional? !

"Haha, we'll see you again." Angel silently pressed the "x" in the upper right corner. He would never open this folder again, at least... not until he became an advanced wizard.

Angel once again returned to the "Death Prologue" pattern.

After a lot of tossing, when he looked at the pattern of "Prologue to Destruction", he felt very relaxed and simple. For such a simple and unpretentious pattern, he had to learn to be grateful and cherish it if he practiced each one less.

Although when facing the lines of "Death Prologue", the pressure in my heart has been reduced a lot because I have read thousands of sails, but how to practice it is still a problem that needs to be solved urgently.

Angel quickly figured out the solution.

The lines at normal proportions are too dense and dark, so let’s scale them up!

Angel adjusted the projected data and easily magnified the "Prologue to Destruction" by 10 times, which was absolutely impossible for other alchemists. Although proportional enlargement and proportional reduction are indeed the basis of enchantment alchemy. However, other people only spend a lot of time and energy trying to enlarge and reduce proportions after they have mastered normal proportion patterns.

Angel zooms in right away and can quickly find the most suitable ratio for his practice. In this way, his growth rate in enchantment alchemy is naturally far beyond that of others.

After magnifying the "Death Prologue" 10 times, you can see obvious white space between the lines. At the same time, the complicated true face of the "Death Prologue" is also revealed.

Looking at the pile of lines, Angel sighed: "This workload is too much. Just copying it completely will probably take a day or two. No matter what, let's try to copy it first."

When copying the magic energy array for the first time, Angel had only one goal:

See if the joint axis between the two magic patterns can make a smooth transition.

Magic energy array enchantment involves some mysterious operating rules. For other alchemists, simple memory is not enough. They need to understand the meaning of the magic patterns. But Angel was copying, so it stands to reason that there should be no blurred memory, but he needed to test it before he could be sure.

The first time I copied, my goal was not achieved. When I reached the 69th stroke, the sweat on the tip of my nose fell onto the pen barrel, causing it to tremble slightly, causing the lines to deviate.

The second time I copied, my goal was still not achieved, and I failed at the 419th stroke.

The third copying failed.

The fourth time of copying... the fifth time... the sixth and seventh time...

It wasn't until the eighth time that Angel finally successfully copied a magic pattern. Next is the critical moment. Can the axis be smoothly connected and transition to the second magic pattern smoothly?

One hook, one stroke, one turn, and then draw a circle. When you reach two-thirds of the way, trace back counterclockwise...

After half an hour of holding the shaft together, the pen tip finally successfully entered the second magic pattern after a diagonal pull!

At this point in the painting, Angel's heart was overflowing with joy, and he lost control of his emotions. He took a nap on the lines under his pen, which brought an end to this copying.

Although the copying failed again, Angel was still very happy. At least he could confirm that with cheating, he should be able to completely draw the magic energy array.

But the problem comes again.

Even if he could completely copy the magic energy array, it would only be on a blank sheet of paper.

When it comes to formal alchemy, the sculpting of the magic energy array requires a stable and continuous output of magic power. Just copying it takes two days. Not to mention whether the energy can allow him to persist for such a long time, just his magic power consumption is a problem?

Even if he copied the "Death Prologue" to a very proficient level, it would still take him about a day to write it.

Angel calculated it himself. If he only outputted magic power steadily to enchant, he should be able to last for half a day.

Where can I find the remaining half of the magic power? Also, when sculpting, he had to ensure that the thermal melting method and the magic hand were uninterrupted. This is another big user of magic power.

So...he couldn't continue until the problem of magic power was solved.

…

A week after Angel disappeared, he came to Promi Alchemy Shop again.

When he came, it was the most leisurely time of the day. David was quietly wiping a rough-looking machete on the counter with some kind of prepared green juice.

A machete that is completely different from the wizarding world, find Shuyuan www.zhaoshuyuan. com its name:

——Chinese kitchen knife.

Angel gave most of his alchemy works to David for sale. This kitchen knife was his second alchemy work, refined for the purpose of experimenting with one-piece molding.

Apart from being sharper, it has almost no advantages.

After David completely covered the kitchen knife with the green juice, he noticed that there was another person in front of him.

"Angel?"

David put the kitchen knife aside and then said, "You're finally here. Master Promi has been waiting for you in the store these days and didn't go back until last night."

Hearing that Promi had been waiting for him for a week, Angel felt a hint of guilt in his heart. These days, he was obsessed with practicing and couldn't help himself. He never thought that Promi would be waiting for him in the alchemy shop...

"There is too much misleading information. Ahem, I searched for a long time before I found some clues." Angel tilted his head, covered his mouth with his fist and pretended to cough twice, and said vaguely. 8