Paintings of Terror

"These containers are all sealed," Mu Yiran said, looking at the things in Ke Xun's hands, "it means that there are things in each container, and since these containers are most likely made in different times , Then can we speculate that they are people of different eras, buried here separately?"

Ke Xun's heart moved, and he blurted out: "What you mean-these things are probably also -"

"It was a group of painters before us who stayed here," Mu Yiran continued with his final voice, "We opened all these sealed containers. I think there are some written records in all likelihood. The written records, most likely the same as our records, are clues about the incident of entering the painting."

After hearing this, everyone was silent for a while, and a strange feeling came from the bottom of their hearts.

Some groups of painters before this, they came from different eras, maybe hundreds of years ago, maybe thousands of years ago, everyone was separated from each other by the long passing years, separated by the ups and downs of history. In the mysterious time and space, but magically gave birth to such a tacit understanding, in different times, in the same place, in a different way, wrote and saved similar words, and then buried them, in order to give and The latecomers who have the same unfortunate fate with the greatest help, and sincerely hope and wish that they can replace themselves, successfully crack this infinite loop of terrorist events, and survive successfully.

Looking at the relics of forerunners of different eras preserved in different containers, a tragic, melancholy, and grateful mood flooded everyone's hearts, and no words were spoken for a long time.

In the end, everyone carefully opened all the containers. Whether it was a porcelain bottle, a wooden box, a clay pot, a metal bottle, or a stone box, they contained texts written in various media. The fonts and handwritings of these texts were different. Some were written on paper, some were written on silk, some were carved on bamboo slips, and some were carved on thin metal sheets and stone slabs.

What makes everyone feel even more embarrassed is that every record here is carefully marked with the year at that time, confirming that these records are indeed from different eras, the earliest of which is even in the early Qin Dynasty. The time between each record is long or short, the longest can be as much as four or five hundred years, and the short one can be one or two hundred years.

"If the interval between each painting event is about 100 years," Zhu Haowen said, "then the time interval of these records proves that among them, there are several batches of painters who have not succeeded in this step. Before I came here, the whole army might have been wiped out."

When everyone heard the words, there was another long silence.

"Then these groups of people who left these records, did they succeed in the end?" Wei Dong murmured.

"They must have failed," Li Xiaochun muttered, "If it succeeds, this will not happen again. Every group of people before us failed. Now it's our turn. I really don't think we can Better than them..."

"Don't say frustrating words," Shao Ling said, "Let's take a look at what is written in these records, maybe we can get some new clues from the predecessors."

"This Qin Dynasty text, we have never known..." Luo Ge pointed to the scroll of bamboo slips, and remembered the painting "A Rhinoceros on the Sea".

"It doesn't matter," Mu Yiran took out his mobile phone, "After that picture was drawn, I downloaded the ancient text library to the mobile phone for future use."

Luo Ling looked at him dumbfounded, and said for a long time: "I know why brother-in-law can become a successful person."

"I am good at summing up experience and shortcomings, actively trying to make up for and preventing them, and preparing meticulously and thoughtfully," Yue Cen said with a smile, "I am very fortunate to have such a companion, and if we can still not succeed at this point, I will have no more regrets."

Mu Yiran nodded at her, opened the phone, and checked the words on the bamboo slips one by one.

Shao Ling and Hua Jiqiu were responsible for collating other records and transcribing these records into the vernacular and transcribing them into their notebooks.

When all the information has been sorted out and displayed one by one in front of everyone, generations of painters who have spanned more than two thousand years from ancient times to the present have worked together to sort out this horrible and strange incident of painting. An overview that is not well known, but is enough to shock the world.

...

Gonggong and Zhuanxu are fighting for the emperor, angering the mountain of insecurity, breaking the Tianzhu, Jedi Wei, the sky is falling.

Heaven is furious, thunder falls to the sky, the sound of the sky falls, and the sky floods.

Lei Zhen the universe, the gods alone cannot hide; the sound of the sky is silent, but the demons and ghosts are difficult to support; the violent flood is like a waterfall, and all humans and beasts are destroyed.

Then, the gods died, demons and ghosts flee, humans and beasts panting.

...... The king, Dayu, treats floods, fixes Kyushu, and revives the way of heaven. The great Wu Gaoyang's suggestion: The old demons and ghosts escape from the ground, if they are afraid of coming back, they should use the gold of Kyushu to cast the macro device forever.

……Nine tripods are successful, sacrificed in the wild, sing in harmony with the sound of the sky, share the foundation and shake together, the ghosts and ghosts cannot come out, the world is safe.

...

Wen Jiuding didn't enter Surabaya, Yu was surprised, watching the stars at night, unexpectedly thousands of ghosts were waiting for the movement, and a catastrophe was approaching.

I asked Yu Tian, ​​looked for strategies in the world, checked ancient scrolls, read books, and deduced the changes.

However, Jiuding has been lost, and I have no thought of it.

……With the figure of nine tripods, it has the power of witchcraft. Because of the nine tripods, five yang and four yin, Yu Sui and four men and women each made up nine figures to transform the nine tripods and witches into the bones.

Yu Yu thinks that Emperor Yu cast Jiuding to be able to town demons and ghosts, because the three talents of Heaven, Earth, and Man contained in Geyin are indispensable.

The so-called heaven, I think that the Jiuding is the transformation of the Nine Tianzhu; the so-called earth, the Jiuding is the gold cast from the underground of Kyushu; the so-called man, that is, people must sacrifice when they are tired.

And what I did today, there is no Jiuding entity, only the power of transformation. Therefore, to transform the image of the Jiuding Wuding into the bones is for the sky; to sacrifice with the flesh is to be a man, and only lack the earth.

Yu Baisi got a solution, and tasted the earth to be in the bones, it is for the earth.

There are four dimensions of the earth, so four disciples are taken and transformed into bones to gather the three talents of heaven, earth and man, totaling 13 people.

... Yu and the other disciples searched for the Kunlun Nexus, where the water and grass were luxuriant in the daytime, and withered at night, like the two worlds of Yin and Yang alternately changing, ghostly aura soaring into the sky.

......Although Yu Zhiguxiang has the power of sealing and suppressing, it does not have the power to reduce demons and exorcise ghosts. Everything in the world repeats itself from beginning to end, resurrecting from death to life, prosperity will decline, and the other will grow. When the power of the bones is finally exhausted, the suppression of the demon will always regain its glory.

Yutu has the heart to save the world, is not ashamed of the power of demons, regrets what he has learned short and shallow, sighs that his skills are not good, but has to do his best, give up what he thinks, give up his physical life, and use a ray of spiritual knowledge to seal the demon for a hundred years. Into the sun.

However, after a hundred years of exhaustion of spiritual knowledge, demons and ghosts will come back, leaving a letter with the disciples in the door, according to the "Shanhaiyin Jingtu" drawn by Yu, set up the mark of disgust, soul-forming, to protect against ghosts Invade.

At this time, Yu and the twelve disciples are willing to prove the way with their own lives and fight for peace in the world.

The power of thinking about the bones has declined for a hundred years, and the reincarnation of the heavens will begin in a few weeks of calamity. Some daoists may also feel it. It is the same as what I thought and considered. I follow the rest of the trail to this point, so I leave the book to describe the details and place Under the stone, wait for Taoists to get it and read it to increase the benefit.

Heaven is clear, evil does not suppress righteousness, but for the common people, how lucky is the rest!

...

...Thirteen of us were lucky enough to get rid of the illusion in the painting. With the help of the Taoist Taoists, we obtained the pictures of the mountains and seas through the bones, and based on this, we found the Kunlun Shu.

It is destined to see the notes of the ancestors, not far from what we guessed, but we also have new doubts, which are attached to this note today. If we can help the later generations to end this century of reincarnation, we will die without regret.

Doubt one, the ancestors painted the "Shan Hai Yin Jing Tu" marked all the places where the illusion in the painting was born, but the ancestors once asked his disciples to set the mark of disgust and soul formation in various places, why still Frequent murderous illusions? Why didn't you see it anywhere?

We have guessed that the ancestors marked the places where the yin and yang are the weakest point, so they must be suppressed by the method of disgust, and sealed by the soul.

And a hundred years later, the seal is exhausted, the yin qi overflows, and the illusion appears, tempting to stray in, in the hope of breaking the seal from the sun and releasing the yin.

Fortunately, although the power of the seal will be exhausted, the remaining prestige will remain, and the power of the feminine will be in the fantasy territory. However, the two are tied together, and the power is limited, only to show it secretly, and to tempt it.

The second doubt, "Shanhaiyin Jingtu", the ancestors should not just pretend that it was another "Shanhaiyang Jingtu"?

We tried to connect all the places in the illusion in the painting as an atlas, but failed. Now I will draw it at the end of the note for later reference.

Doubt three, whereabouts of Jiuding. One said that the Zhou Dynasty was declining, fearing that the great powers would covet it, causing trouble to the upper body. At the same time, the king of Zhou built a debt platform, simply ruined the tripod and made money, and said that he was lost and disappeared. Pirates, lies did not enter Surabaya.

We are ashamed that we have tried our best and never found it. Of course, we have visited many experts and strangers, although we can't talk about the language of the fantasy in the painting, but we can explore the whereabouts of Jiuding.

An unnamed cop hasn't uttered a word since he was born. When he first saw us, he went to observe the stars. After watching, he said: "The Jiuding is still there, but not here."

When we asked about our whereabouts, Gao Shi only replied: "There is a sky beyond the sky, and people are like ants. It is a Jiuding artifact, but a small dust. It is known and invisible, but visible but invisible. The world is boundless, with thousands of good things, and the body is out of reach. Only within reach."

After saying this, it turned out to be feathered.

In the end, we could not understand what Gao Shi said, nor could we find the trace of Jiuding, and time does not wait for us, the deadline is approaching, we have to regret. Originally fearful, several times timid, now by coincidence, the ancestor’s memorial, respected his righteousness, felt his courage, admired his great achievements, and then encouraged the courage of his ancestors, and would like to follow his ancestor’s will and pass on his last wish Going forward and succeeding, worshipping the Tao with one's body.

Heaven is clear, evil does not suppress righteousness, but for the common people, how lucky I am!