My Animation Era

The idea is excellent!

But there are seven soundtracks, and they are soundtracks that fit different story backgrounds and different styles. To be honest, it is a bit difficult to handle.

Wanbao has its own music team, as well as Master Cao, a well-known figure in the film and television animation soundtrack industry.

But...

No matter how awesome Master Cao is, he is not a god, and it is impossible for him to compose seven high-quality pieces of music with different styles in a short period of time.

Isn't this making things difficult for others?

When Gu Miao and Huang Kun approached Master Cao and informed him of the needs of the animation "Super Beast Arms" project team, Master Cao gave an answer.

Since this was a "temporary" request and the creation time was tight, it was impossible for him to compose a piece of music for all seven parallel universes in such a short period of time.

Three or four songs at most!

This is already his limit.

Master Cao asked Gu Miao and Huang Kun to choose the soundtrack style, select a few key pieces, and then leave the rest to the outsourced music team.

"Then let's do this..."

Gu Miao thought for a while and felt that among the seven parallel universes in "Super Beast Arms", the fifth parallel universe where Pluto lives, the seventh parallel universe where the Snow Emperor lives, and the sixth parallel universe where the Baboo family lives, can be regarded as Rather special and important.

Therefore, Master Cao will be solely responsible for composing and recording the exclusive "BGM" soundtracks for these three parallel universes.

Huang Kun and Gu Miao contacted outsourced music teams to produce the remaining parallel universes.

that's it.

As for the quality of outsourced music, to be honest, you don’t have to worry too much. After all, it’s just pure music, without vocals.

The soundtrack issue is solved.

The remaining work is to edit and splice the completed materials and clips of the animation "Super Beast Arms" and perform the final round of modifications to the animation.

Gu Miao couldn't help with this part, and he didn't give Huang Kun any random ideas.

He just took over the post at Dimension Studio with the animation production team of "Bear Infested" after Huang Kun left the production team with "Super Beast Arms".

…

The post-production of the animation "Super Beast Arms" has just begun, and it is not yet ready for broadcast.

However, animation post-production does not require too much manpower and material resources from Dimension Studio, so Gu Miao entered the scene after receiving the news.

"Bear Infested" is a 3D animation.

One of the core components of 3D animation is the modeling of characters and the construction of scenes, as well as the context of the story.

In the animation, the 3D modeling of the three core "protagonists", Xiong Daxiong Er and Bald Qiang, has actually been completed long ago.

After Gu Miao led people to settle in Dimension Studio, the first work he carried out was actually organizing people to build animation scenes such as "Gou Xiong Ridge" and "Bald Qiang's Cabin".

The former goes without saying.

The forest in Gou Xiong Ling is actually the D Xing'an Mountains area in northeastern my country. There are a large number of towering trees and various strange and beautiful scenes.

When designing the Gou Xiong Ridge scene, Gu Miao first drew a simple map with a pencil, and then arranged for animators to build the corresponding scene based on the map.

About Gou Xiong Ling...

In fact, in the early "Bear Bears" TV animation, I really can't see anything special. Most of the truly outstanding scenes began to appear in the middle and late stages of TV, especially in "big movies".

Let’s put aside special “movie” scenes such as White Bear Mountain, fantasy space, and the city that never sleeps.

What Gu Miao really worked on were common scenes such as Shadow Cave, Lotus Lake, Birch Forest, Flower Field, Tiger Leaping Stone, Mirror Flower Water Moon Waterfall, logging forest area, and Bear's House.

In the original "Bear Bears" animation including the movie version, some of these scenes appeared earlier, while others appeared later, and they belong to the "Bear Bear Ridge" compositions of different periods.

But Gu Miao felt that.

For animation scenes, if you want to do it, do it all at once, so as to avoid the embarrassment of adding a scene later because of the plot, only to find that it can't be added.

So these all have to be set up.

Even if some scenes are not used temporarily, they must be prepared in advance and marked on the map to avoid trouble later.

The general scene of Gou Xiong Ling, to be honest, the construction is just a relatively large amount of work, so it doesn’t take much thought...

Do not ask!

The question is to build such an animation scene. It is not a difficult task for these experienced old people.

The really mind-bending scene has to be looking at Bald Qiang’s cabin. That’s the real explosion of “details”!

Single door? Double door?

No one believed it when I told you that the production team actually got into a fight over whether a wooden door should be single-opening or double-opening!

Some people say that Bald Qiang lives alone, and this wooden house is a temporary residence for him to rest after logging. It cannot be considered a "home", so the single door is convenient and easy to use, which is very suitable for Bald Qiang.

Some people also say that Bald Qiang lives in this wooden house all year round. Who says this is not his "home"? Since it is a home, it must look like a home, and the front door must be double-opening!

"Stop arguing!"

Gu Miao was so annoyed by them that she resorted to a stupid method, which was to vote. Let those who support single opening and double opening raise their hands respectively, and the minority shall obey the majority.

The results show that far more people support double doors than single doors.

"Then use double doors..."

Gu Miao thought for a moment. He had never seen double doors except for refrigerators, so he asked a relatively stupid question: "If it were double doors, wouldn't the word "福" affixed to the door be torn into two pieces?"

"One on each door!"

"Besides, the bald Qiang is very poor and has no money to buy the word "Fu" to decorate the facade. There is no need to consider this issue."

It seems right!

Gu Miao thought about it seriously. In the original animation, don't say the word "Fu". Bald Qiang's wooden house didn't even have "couples" on it, only a few strings of corn and peppers.

It’s really a “simple” decoration!

Once the door problem is solved, the remaining windows, eaves, guardrails, etc. will be better solved. After all, there are many references for a cabin like this.

However, after the construction of the wooden house was completed, Gu Miao looked at it horizontally and vertically, but was still not satisfied. She always felt that the roof was a bit too "perfect and exquisite".

"A little more broken..."

Gu Miao instructed: "Bald Qiang's wooden house is classified as a dilapidated house. The roof must be tattered and the boards must be uneven!"

"Oh yeah! More weed."

When a few weeds were transplanted to the roof and looked like they were growing out of the gaps between the wooden boards, Gu Miao nodded with satisfaction.

Right!

This smells just right, this is the "mansion" where Bald Qiang should live, not the flat, clean "dangerous house" like before.

Brother Qiang’s suite is quite impressive. Although it looks shabby on the outside, the actual area is not small.

Including the small courtyard outside, it should be several hundred square meters larger, right?