I Created the Myth of the Old Ruler

Five hundred and twenty-one. Mixed joy and sorrow

A group related to domestic film and television practitioners.

On May 1st.

Lu Tan released a trailer for his new film, which was like a Chinese New Year for people in the industry, with a mix of sadness and joy.

Fortunately, there are new and good movies to watch. A movie by Lu Jian will be watched repeatedly by people in the industry. When analyzing the film, whether it is the natural acting of the actors in it, as if they are in the world of the movie, or the magic in it, like Special effects that record real events, or rich and complete details, just like a world view transferred from another world, these are all worthy of learning by practitioners.

Even performances such as Amber in "All Quiet" and the ancient capital in "In the Mouth of a Madman" have been included in the textbooks of film and television acting majors.

Many acting actors try to present such complex, natural and real acting skills, but they are all slightly inferior, because this is a very contradictory state. When you try hard to perform, you lose your naturalness, and when you try to return to Naturally, the focus of the performance was lost.

For example, when it comes to crying performances, everyone knows that shedding tears means crying, but there are particularities in how to shed tears, how many tears to shed, whether to have runny noses, and how loud to cry.

Putting aside those little freshmen who need eye drops to cry, even experienced actors generally know a few common crying methods. For example, the crying method for dead parents may be used for the death of a lover. In terms of plot, they are so different that ordinary viewers can't tell the difference. .

Some are more refined and will try to figure out the character's mood and show subtle differences.

But just as there are a thousand Hamlets among a thousand readers, everyone has different feelings about the same scene. Some people feel that they cried not hard enough, and some feel that they cried too hard. There are always various opinions. to criticize an actor’s acting skills.

But in Lu Kan's movies, no one can judge the acting skills.

Even though no one has ever seen what a person with firm beliefs looks like when being burned by flames, when they saw the mages sitting on the torch burning themselves on the high tower, all the viewers were distraught. It will question the pain they endure and the faith they hold on to.

There are two styles of performance, one is to make the audience empathize by objectively reflecting reality, and the other is to make the audience unheard by creating a virtual situation.

The former is mostly used in works with realistic themes and evokes resonance, while the latter is mostly used in the field of fantasy to arouse people's imagination.

Lu Jian's film is undoubtedly the latter.

There are so many things that can be studied in his works. It can be said that as long as one can learn 30% of the techniques in Lu Jian's movies, it will be enough to make a blockbuster commercial film. Fifty, there is no problem in winning the prize.

The reason why there is still sadness in Lu Jian's movies is because Lu Jian's works will greatly increase the audience's aesthetic limit, and at the same time, they will also squeeze everyone's wallets.

For example, during certain prime time periods, if Lu Tian's movie is released, then most of those movies in the same period will have a low box office, and they can only compete for second place, which may not be as high as family-friendly cartoons. Moreover, Lu Tian's film No matter how excellent the previous movies with similar themes are, they will inevitably be compared with Lu Tan’s works. In this comparison, the special effects are not as good as others, the atmosphere is not as good as others, and the acting skills of the actors are not as good as others. We can only rely on the reversal of the script to win a little bit. Advantages, and the box office is 100% inferior to Lu Kan, which is thankless.

Therefore, there is a saying circulating in the circles of some practitioners: "Lu Jian doesn't have many themes left for us."

Fortunately, Lu Jian usually shoots some fantasy themes, horror, thriller, adventure, suspense, and has not yet touched on content such as emotional love, celebrity biographies, youth growth, and business war games. Film and television practitioners who focus on these themes are temporarily You can rest assured.

In the group, everyone was talking about the trailer just released by Lu Jian.

[Hengdian Xiaozhi]: Lu Jian is going to challenge the extreme of special effects. It's like a disaster movie. It's okay, okay, our team has no plans to touch these things recently, so we escaped.

[General Screenwriter A Xiang]: I actually think that disaster movies have limited Lu Jian’s performance. As we all know, all his works are now connected. The core attraction is the world view and the seemingly invisible gods behind it. The industrialized routine model of disaster movies is not suitable for him to play.

[Movie Maker]: Indeed, the model of disaster movies is too fixed. You can think of how to shoot it with your eyes closed. The biggest expectation for Lu Jian is the special effects.

[Bean Paste Popsicle]: But one thing to say, the volcanic eruption effect in this trailer is quite good. I have been lucky enough to see an active volcano before, and the magma inside does have such a texture.

[Yannan Xiaoliu]: Huh? volcano? Isn't it a super typhoon?

[Actor Zhao Kuo]:? ? ? Isn't it a big earthquake?

[Movie Brick Man]: No, I saw in the trailer that it was a big tsunami?

Everyone in the group was suddenly stunned.

They opened the web page one after another and searched again.

You don’t know if you don’t search, but search, good guy.

Lu Tiao has uploaded four trailers.

Volcanoes, earthquakes, typhoons, tsunamis, different natural disasters correspond to different trailers. Although the modes are similar, the special effects are completely different.

These trailers were distributed according to different logics, resulting in many people seeing different trailers if they randomly saw them.

[Movie Brick Man]: I have never seen this kind of battle in my life. Is Lu Tan planning to film the end of the world?

[Common screenwriter Axiang]: It’s a bit exciting. It’s been so many years since there was a disaster movie of this level, and it used to be a privilege of foreign countries, but now we can also make it.

[Bean Paste Popsicle]: Am I the only one curious about how Lu Tan will end up with so many guys coming together?

[Yannan Xiaoliu]: This is a gimmick. You think, in a normal disaster movie, you probably know that the protagonist is going to save the world when you look at the trailer. But for this movie, when you look at the trailer, you will only become more and more desperate. If you can’t figure out how to win, then you can only go to the cinema to watch it?

[Hengdian Xiaozhi]: Hiss, this guy is so scary.

Lu Jian’s four trailers soon became known to everyone. After all, in the Internet age, you can find them with just a search, and various public accounts and self-media are also crazy about the popularity. Every shot of the trailer is pulled out and analyzed, and then some UP His analysis was plagiarized by other public accounts, and the plagiarized public account was plagiarized by other public accounts, causing many disputes.

Not long after, a comprehensive article quickly appeared on the Internet, claiming to have completely interpreted Lu Jian's new film.

"A long article of 10,000 words interpreting 30 details of Lu Jian's new film [The End]".

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