I Created the Myth of the Old Ruler

Three hundred and seventy-one. The writer comments sharply on Lu Jian’s transformation

Lu Tiao clicked on this report.

The person who wrote the report was a film critic. He had previously criticized Lu Tiao for not wanting to make progress and would only stay in his comfort zone and make horror movies. Now he stood up. He probably saw that Lu Tiao had really transformed, so he wanted to give some advice. Take a look at the country.

[...A director should have a director's style. I admit that Lu Jian has advantages in shooting horror films and blockbusters that focus on special effects, but in the field of literary and artistic films, he is still a newcomer, and Lu Jian's previous The film style is obviously not suitable for literary films, and his attempt this time will inevitably encounter setbacks...]

[...To put it simply, I think Lu Jian's desire to make new movies is based on his own past achievements. He is inflated. In fact, are Lu Jian's movies really good? If high box office means excellence, does that mean the quality of superhero movies is better than classic movies? 】

[…The reason why Lu Tan’s movies can achieve such high box office is related to the retaliatory viewing of domestic audiences after being influenced by European and American movies for a long time. The quality of his movies is not as good as the current results. In other words, virtue is not matched...]

[...I don’t think highly of Lu Kanda’s works, not because of personal likes and dislikes, but because rashly stepping into a field that I am not familiar with will definitely lead to failure, and Lu Kanda is now so highly praised by the domestic industry. , if he falls by then, others may think that the domestic film industry is not good enough. This will be a serious blow to the domestic film industry that has just started! 】

After reading this report, Lu Kan felt a little confused.

It was this person who said before that Lu Jian was stuck in his own ways, immersed in his comfort zone, and unwilling to try new themes. Now he is the same person who said that Lu Jian changed his style and was arrogant when he tried new themes. You have said both good and bad things. What about three-dimensional defense?

This article has attracted a lot of attention and discussion about Lu Jian's new movie. Audiences and industry insiders are mostly divided into three attitudes.

The first is to look forward to Lu Jian's new work. He feels that Lu Jian, who has been so good in every movie since his debut, will definitely be able to create brilliance in new fields.

Another view is similar to the one in this report. I think Lu Tan will definitely overturn. He is a horror film director, but he knows nothing about literary movies?

The last type are passers-by. They think that they should wait until Lu Jian's movie is released before watching. After all, he has not shown his level before, and it is easy to get slapped in the face if he joins the team early. This is also commonly known as the fence-sitter.

The production of the film was carried out simultaneously.

The entire movie lasts about 120 minutes, and the first 100 minutes or so are about growth, healing, and tender journeys.

The ending takes a sudden turn for the worse, reflecting the cruelty of the world.

At the end of March, just in time to meet the deadline for submission to the exhibition, "All Quiet Spring" finally completed the final production work.

Bai Qiquan watched the film they had produced again.

I always feel like something is not quite right.

"This movie seems to be missing something, it just feels like it still lacks a breath."

Bai Qiquan murmured to himself.

This movie, if viewed as a youth romance film, is quite excellent. It clearly expresses the youthfulness, growth, throbbing, and regret of a girl. The picture is very good, the scenery is excellent, and the plot is relaxed and moderate.

However, could Lu Tian really make such a movie?

In Bai Qiquan's words, this movie is too bland.

Although I know that literary and artistic films are all so mediocre, it is true that they cannot let people fall asleep while watching literary and artistic films, which are not good literary and artistic films, but is this movie really Lu Kan's style?

Could it be that Director Lu was really stimulated by something?

After the film completed its registration for the exhibition, Lu Jian released the first trailer.

Bai Qiquan has not been involved in the production of trailers, so this is the first time for him to see this trailer.

When you click on it, the first thing you hear is the sound of the piano, soft, gentle, bit by bit, deeply rooted in people's hearts.

The screen lit up, and a cherry color covered the field of vision.

Those were cherry blossoms falling all over the sky, and the warm spring sunshine shone on the girl, making her more dazzling than the sun.

"My family has told me since I was a child that you will go to the shrine shrouded in the sacred cherry blossoms and become a being above ten thousand people."

The entire trailer is composed of a girl's monologue. She walks in the spring when cherry blossoms are falling, practices archery in the scorching summer, the maple leaves are dyed red, she makes tea in an elegant posture, and in the snowy winter, she wears red and white. The girl in a black and white miko uniform looked up at the swirling catkin-like snowflakes.

Bai Qiquan was so fascinated for a moment.

Not only because he had seen the movie they produced and learned about the girl's subsequent experiences, but also because the picture was extremely expressive and immersive.

Paired with the background sound of soft but not noisy piano, people feel like they have become a relative who grew up with the girl, watching her grow step by step and become an excellent person step by step.

In this trailer, the feelings of girls are vividly reflected. Although they are just some daily scenes and trivial things in life, all the things are done by beautiful girls, which makes people feel pleasing to the eye.

"Director Lu is really awesome for being able to create such a girly scene."

In Bai Qiquan's opinion, male directors generally pay more attention to visual presentation within a large frame, and the shots are more purposeful. Every shot must have meaning and function, either to show something or to explain something, or to For example, when boys visit shopping websites, they usually directly search for the target product, place an order and pay in one go.

Such a lens will appear very "hard" and easy to analyze and deconstruct.

In the shots of female directors, emotion is more important. Sometimes, the shot is just a carrier, and meaningless shots will appear in the film. At this time, the emotion will be shown through music, the artistic conception between the front and back pictures, etc. When you When I felt that this scene was meaningless, maybe the director really didn't think about anything at the time, and simply thought it should be put here.

This kind of lens will be a little "softer".

For example, in this trailer, if the changes in the four seasons of spring, summer, autumn and winter were switched directly, people would think, "Oh, this is to show the heroine's past experience." However, Lu Jian cleverly inserted a lot of scenery into it, There are many shots of insects, vegetation, and flowers without people in them. In fact, if these shots were replaced with other shots, it would not be out of place. It looks like they were made up of time.

But in fact, these scenes successfully relieved and foreshadowed the audience's emotions. After watching the clips from the Four Seasons, the audience will only sigh, she is so beautiful, she is so cute, and she is so gentle.

I have to say that after watching this trailer, Bai Qiquan felt that he had completely fallen in love with Amber.

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