Horror Inn

Chapter 314: Hidden space

The darkness is very difficult, but fortunately, I can still touch the wall, so I don't feel helpless, even if the tunnel is full of darkness, I can still move slowly.

What's more, the stone gate behind me has been closed, and I can't open it again, so going forward is my only choice now, only if I go forward can I have a chance to go out.

The road was full of darkness and very quiet. I didn't feel any danger coming, but being in the darkness always felt a little scary.

Because you can't see other places in the dark, everything is unknown. This kind of unknown gives people a sense of insecurity, so I was very cautious along the way.

Finally when I traveled a distance, I found that there was a faint light ahead, and it seemed that the front should be the end of this passage.

It’s just that the amount of light that appeared at the beginning was very small, only a small spot, which was still relatively far away from me, but as I continued to move forward, the light gradually became larger, so I can be sure that this channel should be in front of me. The place connected behind is the place really guarded behind the stone gate of this cave.

Although I saw the light, I didn't speed up the pace hastily, I still moved forward at the same pace as before.

Because this whole cave is very unknown, it is likely to trigger danger because of something of your own, so I have been advancing at the same pace just now, because this is the most stable and safest.

Slowly as I moved forward, I finally left this passage. When I walked into this light, I opened my eyes and found that there was a magnificent hall in front of me. Compared with the desolateness in the corpse outside, it felt like it If a lifetime.

It is completely different from the scene outside the Shimen, which is very dark and claustrophobic, but in this hall it gives people a very luxurious feeling.

But nothing is placed in this hall, instead there are only murals on the wall.

I counted these murals and found that there are nine in total, and each one has a different content.

"What do these frescoes represent? Is it possible that these frescoes record what is hidden in this cave?"

I looked at all this in front of me and asked questioningly, because there was almost nothing in the whole hall except these murals, but these nine murals all looked extremely luxurious, both in brushstrokes and colors. First class.

The price of the murals in this hall alone is extremely expensive, and art works like this are not something ordinary people can make.

But I also wonder why there are only these murals and nothing else in this hall, and the most terrible thing is that I found that there is no exit in this hall, which means that if I want to leave, I’m afraid I can only walk through that passage. Go back and find a way to open the stone gate.

But since I came into this hall, of course I have to study it carefully, and I think there is nothing in this hall, but the nine murals alone are enough to show that there must be something hidden in these nine murals.

I carefully looked at the murals in front of me, hoping to find some clues from them, or whether I could see how to get out from them.

After all, I don’t believe that they built such a hall just to build a dead end without a place to go out.

But no matter how I look at it, I find that there is no mystery on these murals. Although the things painted on each mural are different, there is nothing special, and each mural is painted with the same Zombies are also related to ghosts and the like.

"No wonder it's called a corpse, even these murals are related to zombies and corpses."

After seeing the content on the mural, I shook my head helplessly, and then said so, but the things painted on the mural are really strange.

Although it seems that the whole hall is magnificent, the zombies and corpses painted in this mural are extremely restored, which makes people feel very scary, but they are incompatible with this magnificent splendor.

But after I carefully examined these murals, I found that they were nothing special, and they could not guide me out of this place. Is it possible that I want to leave here, indeed, as I thought I have to go through the dark passage once again, and then return to the stone gate, and find a way to open the stone gate to leave?

I sighed helplessly, and then slammed a fist on the mural, only to find that the sound made when my fist collided with the mural was strange.

Because I found that what I got from the punch was not the dull sound of real punching. On the contrary, it was a little chattering. This sound obviously proved that the mural was hollow behind, not a physical wall. .

"Could it be that there is still a space behind this mural?" This is the first thought that popped up in my mind.

No wonder there is no exit in this room. There is no other place to leave except the passage connecting this room. Maybe behind these murals is a place where you can go out, or something is hidden behind these murals. .

But I did not rush to break these murals. I knocked on all nine murals one by one, and found that the sound from these nine murals was empty. It seems that there is one behind each mural. Space, not only one place with hidden space.

It seems that there are some secrets hidden behind these nine murals. No wonder there is nothing in this hall. It seems that all of them are hidden behind these nine murals.

It's just that although there is space after these nine murals, there is no door to open this space. Is it possible for me to destroy these murals directly?

So I searched carefully again, but found that there was a very hidden small button somewhere in the mural. Pressing this button should open the space behind the mural.

It's just that these nine murals have space. Which one should I choose to take a look at? This has become a problem in my mind.

After hesitating for a long time, I chose the mural that is closest to the passage. After all, it can be regarded as the first one that is closest to the passage where I came, and it feels slightly safer.

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