Hollywood Road

After filming James Franco's Dr. Gordon's family scenes at Stanton Studios, Murphy led the crew back to the warehouse set in Venice to continue filming the few remaining scenes, although he saw that James Franco The relationship between Coe and Lily Collins is a bit delicate, but he didn't say much, and James Franco himself also noticed that when there were other people, he rarely showed the intimacy between the two.

As for whether there will be more intimate contact between the two, the filming has come to the end, and the scenes of Lily Collins and James Franco are all over, Murphy no longer cares about these.

He was too busy with his own work to care about James Franco's idiosyncrasies.

Carey Mulligan also left the film crew and returned to school to deal with the matter of dropping out. Jonah Hill and Seth Rogen, who could detect some signs, were too late to watch the excitement. How could they break through this subtle relationship.

On the set of the warehouse, Murphy and the crew entered the last construction scene. He stood behind the director's monitor, next to editor Jody Griffith, and the two were reviewing the shots that had just been shot.

This kind of situation not only often occurs in Murphy's crew, but also in the whole Hollywood.

"For post-editing, just cut out the front part of the jigsaw..." Jody Griffith pressed the pause button, pointed to the monitor screen, and said, "Suddenly inserting the scene where he appeared can play a thrilling effect." Effect."

Murphy crossed his arms and played the interpretation in his head according to what Jody Griffith said. He nodded slightly, "That's it."

Jody Griffith left here, Murphy looked up, saw the assistant director Paul Wilson gave him an 'OK' gesture, and said loudly, "Attention all departments, clear the scene now, and continue shooting. "

The people on the set quickly walked out, Philip Lascher sat behind the camera mounted on the slide rail, Murphy took the hand-held camera sent by the camera assistant, walked to another preset position, and prepared for close-up shots snap.

The recording microphone slowly fell from the air, and an Asian, an African and a white actor were also ready.

With Murphy's order, filming began again, with the three actors' officers confronting Rabin Bell, behind him prop man Baker Kleibert strapped to a joint twister prop.

His limbs and head are fixed on a steel frame. Once the timing starts, the machine will twist his limbs 360 degrees, and finally twist his neck, causing a tragic death

Murphy was in charge of capturing Rabin Bell with a camcorder, and Phil Raschel's camera was rolling across the foursome.

Facing the three police officers, how could Jigsaw submit obediently? He pressed the remote control and activated the joint twister. The microphone used for recording was beneficially landed on the top of the killing mechanism, and the sound of the joint twister turning was similar to that of Baker. - All the terrified sounds that Kleibert made were accurately recorded.

After more than three weeks of filming, Murphy's crew has developed a certain tacit understanding.

The black asked two police officers to rescue Baker Kleibert. He stared at the jigsaw himself. There was a large bunch of keys behind the joint twister. The white police officer picked it up and tried to open the lock, but the lock was connected to a hidden shotgun. As soon as the key was inserted into the lock, the shotgun hidden behind Baker Kleibert rang...

A shot rang out, the white police officer fell to the ground, the black man and another Asian police officer were distracted, the jigsaw took the opportunity to stab the black man, and then escaped...

Murphy yelled to stop, and the crew rearranged the scene. The actor who played the white police officer had to make up for a close-up shot, showing the appearance of a tragic death, so that the post-editing could be cut together with the shot just shot.

Baker Kleibert also got off the knuckle bar, and the conductor's assistant and two interns strapped elaborate dummies to it.

This killing mechanism is not just a prop, but it can really be activated. It may be very laborious to twist a person's bones.

But the dummies made of twisted resin are no problem at all.

The filming started again. The Asian police officer dropped the dummy and looked at the black police officer. The black police officer no longer cared about the victim behind him and asked him to chase the jigsaw. After the Asian police officer left, under his comment, the machine turned, The man's hands and feet were twisted one after another. Facing the sound of bone shattering and Baker Kleibert's simulated howling, the black police officer covered the knife-scarred neck with one hand, and raised the gun with the other hand. ...

"Stop!" Murphy put down the camcorder, "This one is over! Go to the next scene."

The crew was busy transitioning, and he went back behind the monitor to watch the footage just shot.

There are many choices here that need to be made when editing, especially if it can be released in cinemas, it must be carefully selected, otherwise it will definitely become NC-17.

Undoubtedly, the joint twist frame comes from the designs of the later films, and it is more bloody and cruel than the mechanisms in between. It is not that Murphy has not considered whether it is appropriate to do so, but the future of this film is still uncertain. Where does the thought come from to consider the situation of the sequel.

Even if there will be a sequel in the future, it will be after the success of this film.

There is only one scene left in the back. The Asian police officer chased the jigsaw. After shooting, he thought he had hit the jigsaw.

Murphy also made changes here. The shotgun mechanism had been used before, and it was replaced with a giant nail stick here. Moreover, what the Asian police officer stepped on was not a thin line that might be crossed, but a flip across the entire corridor. plate.

In short, even if the police officer uses the action of hurdling, he will not be able to avoid the flap, and will be smashed to death by a whole row of giant nail sticks falling from the sky.

He is also one of the few minorities who die in the film, and he dies while dutifully chasing Jigsaw.

When Murphy chose actors, he paid great attention to the fact that all the people who died in the jigsaw trial had the same characteristics, purely white, middle class or relatively wealthy background...

These superficially corrupt judges, not to mention not a single black person, not even a single ethnic minority.

Although it is not certain whether the film can enter the theater channel, Murphy is also following some common laws of theatrical film. These laws are the lessons summed up by countless films on the street. It is always beneficial to avoid it.

As an outsider, he is not particularly clear about the situation in North American society, but uniting minorities has always been the political correctness of Hollywood movies.

The transition work was quickly completed, and Murphy then started shooting the last shot. The Asian police officer chased the jigsaw and died tragically.

UU Read Books welcomes all book lovers to come and read, the latest, fastest and hottest serial works are all in UU Read Books! Mobile users please read here.