Chronicles of Primordial Wars

The snow is still flying outside the cave. The river has long been thick with ice. The tribe is now rarely seen. If you stand outside and look around, it is all white.

The fire in the cave is different from the warmth of the past.

After loading the ice cubes, the cave was lit up a lot, and there was no need to blow the cold wind. This feeling made the children in the cave very novel. It was in an unusual excitement for two days, surrounded by fire and looking at the stone wall. Words, talk about each other.

Shao Xuan wrote the words on the skin of the animal hunter left by the old hunter in charge of the teaching. On the stone wall, there was light in the daytime, and the words on the stone wall could be clearly seen without the ignition pile. I learned this, and the next old hunter didn’t need to teach from scratch every time he came.

Different from other people, Shao Xuan stayed in the stone room for the past two days except when eating, carefully rubbing off the stone powder on the stone wall.

The debris in the stone room has been transferred to other places by Shao Xuan, and the area painted on the stone wall is quite large.

Finally cleaned up the last corner, Shao Xuan straight up to take a deep breath, activity aching hands and feet, back a few steps, through the light that penetrated, look at the painting on the stone wall.

The light is not bright, and the paintings in some places are not very clear. Shao Xuan still needs to use the torch to see.

In addition to the paintings of the two places that Shao Xuan saw at the beginning, there were some paintings that made Shao Xuan even more surprised.

The above paintings also cover farmland and animal husbandry, those who work between farms, people who use whip to drive sheep...

A man in a leather jacket holding a small, fancy wine glass, and a woman who is holding a basket in groups of three or five...

There are even people riding horses. There is a pair of adults who are painting and running with children on horseback.

There is also a painting that is not a painting or a hunting. This painting is longer than other paintings, and it occupies almost half of the left wall. There is a tall horse in front of the painting, and there is a long wearing head. The feathers and physiques are obviously stronger than other riders. They are tall and strong, and they are very imposing. They should be the heads of these people.

There are a number of riders galloping behind the strong warrior. There are some...wolves next to them?

No, that is not a wolf.

Compared with Caesar, the animal's tail is long and curled, and several tails are curled up. Is it a hound?

Some of the hounds were mouth-opening, seemingly gasping, and two of them were heading towards the side of the ride, seemingly listening to who was talking.

The background of these paintings is also painted with some buildings, and those buildings are taller and larger than those seen by Shao Xuan in the tribe, although it is said that the houses in the Shangshan area are much better than those in the foothills. Shao Xuan simulated in the mind according to the information he heard. Even the houses where the people lived in the mountains might not match the paintings.

The line of sight once again returns to the painting that was first seen. The woman wears jewelry on the head of the painting. It is not as simple and rough as the ornaments worn by the women of the tribes today, but is more delicate and beautiful. As for the woman holding Jars...

Those jars with complicated patterns, if not stone cans, Shao Xuan thought of a possibility - pottery.

How long have these paintings been?

If it is almost as long as the stone chamber was built, how can it be hundreds of thousands of years?

Thousands of years ago, there were agriculture such as animal husbandry and aquaculture, as well as pottery. Hunting tools were more than the current ones, and even with a hound. It was a real hound, not Caesar’s accidental brought back. Hard to fight the wolf!

Shao Xuan suppressed the shock in his heart and continued to see.

The painting on the left stone wall is significantly different from the stone wall on the right. In the middle of the place where the left and the right are separated, Shao Xuan can't understand what is drawn, too abstract, and at first glance seems a bit chaotic, Shao Xuan can not speculate according to before and after painting. However, it is obvious that after this period of painting, the style of painting seems to have dropped from a vigorous, confident, and suddenly to a low-lying state. Many paintings have a bleak feeling of desolation.

The crying woman, standing on the ground and ignoring the children who don’t know what to look at, seems to be with infinite solitude, and the background map is not the big house, but the hole where Shao Xuan is now.

There are no more agriculture and livestock breeding. There are no more than three or five groups of women carrying baskets to collect pictures. There are no more horses to shoot, no more dogs, no more pottery that is much more elaborate than stone tools... ...

Whether it is on the left side of the stone wall or on the right side of the stone wall, there is a logo above the engraved painting - the totem of the tribe.

The totem of the Yanjiao tribe looks like two horns of the double-horned rhinoceros, but with a longer horn and a flame, the same as the name of the tribe.

So, what is depicted above is the Yanjiao tribe?

Shao Xuan recalled that the student who studied archaeology in his life said: murals and rock paintings are generally used to depict the life of people of that era, or the things that people at that time fantasize and hope, and also a kind of human being at that time. Spiritual sustenance.

The paintings on this stone room are definitely not imaginary things. The feelings in the engraved paintings are too strong. The real experiences and things will arouse people's feelings of deeper, deeper and thicker.

What did the tribe encounter?

Natural disaster?

Man-made disaster?

Or both?

At the end of the right side of the stone wall, there are many patterns of palms, which are different in style, such as the one on the upper left, the spider on the net, and the bamboo on the right. Still awkward plants, there is only one thing like a mask, watching the sultry...

These patterns have plants, animals, and a variety of things that Shao Xuan can't imagine.

When Shao Xuan studied these murals, someone called him outside.

"A Xuan, Ge Shu is coming! Ah Xuan is coming over!"

The other children in the cave have no interest in the depths of the cave. In the years when they lived in the cave, they will not go deeper than the special places in the cave. Those places have no interest in seeing them once. So, the child who called Shao Xuan did not go to this side, but directly shouted.

Looking back, Shao Xuan realized that today is indeed the day to send food.

This time, I also sent food for three days at a time. When Shao Xuan saw him, there was still a lot of snow on the leather jacket that was worn, but he didn’t care. He stared at the ice cubes. The vents and the stone plates were still in the hand. Obviously, he did not expect that there was such a thing in the hole. From the time he was responsible for delivering food, the hole in the winter was always black. He used to hear people mentioning that there is something similar in the hole, but he has never seen the child in the hole, and with the situation in the previous hole, he has nothing to do, and he did not think that he can see it now.

Let the other children in the cave help "unload". Now the food is sufficient. The children in the cave have not competed as they once saw it. After hearing Shao Xuan’s words, they all helped. Then Shao Xuan distributed according to the group. I don't have to worry about how to divide in the group.

Today, Shao Xuan did not let the grid leave immediately, but pulled the grid to let him tell the children in the cave about the tribe. Anyway, after sending the food, there was nothing else.

Shao Xuan just wants to learn more about this from the grid to see if it can be related to the painting on the stone wall. Unfortunately, the things that Ge said are similar to those of Shao Xuan from Lang Yi, and he did not want it. Learn something.

Holding a charred tree branch and drawing a pattern on the ground, Shao Xuan knows that Gee has a few eyes on this side. It is obvious that he saw what he painted, but there is no abnormality. Apparently, the grid does not know this pattern.

Shao Xuan’s paintings are one of the last styles of the stone wall on the right side of the stone room. The grid is also considered to be an old-fashioned warrior in the tribe. He does not know this pattern. Shao Xuan’s heart sighs. It seems that he wants to know more. The things painted on the stone walls are a bit difficult.

In fact, at the end of the painting on the stone wall on the right side of the stone room, under the patterns with different styles, there is a sentence, but Shao Xuan has a few words that I don’t know, and I can’t get a word.

Although Shao Xuan said that the words here can be said to be smooth, but many words are still relatively unfamiliar. Counting the time when the old hunter came over, Shao Xuan learned the words and waited for a chance to ask again.

After another ten days, the old hunter finally went down to the cave again.

Surprised to see the changes in the hole, and check that the children in the hole did understand a lot, the old hunter is very happy, once again took out a skin roll, teach new things.

During the empty time of teaching, Shao Xuan asked him a few words. These words are not all on the stone wall. They are mixed with other words. Shao Xuan just doesn't want the old hunters to doubt.

However, it turns out that Shao Xuan thinks a lot. The old hunters are very interested in teaching people. Others don’t think much. They only think that Shao Xuan has seen these words from others, and they are very interested in teaching Shao Xuan. identify.

After the teaching, the old hunter also praised Shao Xuan with a word of appreciation: "These words are well written, and there is momentum! It must be a heroic warrior in the future!"

Shao Xuan just smiled and didn't speak. The words that were praised were written by the words on the stone wall, and they were not copied as they were, but because they were written, they also brought the charm and momentum of the original works.

In this way, it should be a warrior to write and write in the stone room, and it may be very powerful.

When the old hunter left, Shao Xuan wrote the words of the old hunter's new animal skin roll on the stone wall to review the children in the cave, and he came to the stone room again.

After recognizing the word, Shao Xuan finally knew what was written in that sentence.

"One day, we will return to the old place. The glory is still there, and the fire of the flaming horn will never die."

There is also a "like" word behind this, probably the name of the owner of the stone room, the person who portrayed and wrote this sentence on the stone wall.

In the end, this sentence is very deep, and it is deeper than other paintings. The last few words are especially so, showing how strong the relationship is when the other party writes this sentence.

Although I don’t know why the murals here will be painted with stone powder, Shao Xuan is very grateful and admirable for the paintings here.

From that sentence, it can be seen that the situation of the other party, or the situation of the entire tribe is not good, even desperate, but the other party has not given up.

Even if the situation is desperate, as long as it is alive, as long as the tribe is still there, it means that hope still exists.

Shao Xuan took a charred tree branch and drew a stick figure of a vertical thumb behind the word "Zan".

Give you another compliment.

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Tomorrow's double, I will sleep now.